![]() Pianoteq is a physically modeled virtual piano with a built-in graphic equalizer. Pianoteq Stage comes with two instrument packs of your choice. The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals. Pianoteq 6 Standard – Offers unique powerful tools to enhance and modify the sound, such as changing the unison width, hammer hardness and string length. You can place up to 5 virtual microphones around the instrument and load external reverb impulse files. You can upgrade to the PRO version at any time. Pianoteq 6 PRO – It is the most advanced version, adapted for the creative composer and demanding studio engineer. In addition to the Standard version, it gives you all the tools needed to work in a truly professional environment, letting you adjust 30 parameters for each note on the keyboard and work with up to 192 Khz audio. Mac OS X Kodiak, 10.0 (Cheetah), 10.1 (Puma), 10.2 (Jaguar), 10.3 (Panther), 10.4 (Tiger), 10.5 (Leopard), 10.6 (Snow Leopard), 10.7 (Lion) The optional instruments are already embedded in Pianoteq in demo mode.You can unlock any of these instruments by entering the specific instrument serial. #Modartt pianoteq 5 serial osx serial key#.In short, less than 50 MB for all these qualities that each update continues to approach perfection, what can I say except that Modartt is unbeatable on his land. Electric pianos (especially R2, for my taste) are also illusion, like clavinets, excellent. If I have not mentioned here that the model D4, U4, recently acquired, is also phenomenal as upright piano. Note that I only compare here the sound, the choice of a keyboard "all in one" or "master keyboard + computer" does not come into consideration, convenience fit for the purposes of course depends on the individual. As for the marriage with a more electronic environment, too, brings the Pianoteq own living next to the "real" instruments. Although the two musical contexts are different (against Soul jazz / classical), but to choose, especially when it comes to marry a virtual piano with real acoustic elements, the Pianoteq is needed undoubtedly. To complete the proof by experience no comparison between the two in studio version: The registered last year on a project NS2 Soul sounds nonetheless digital, where Pianoteq recently placed on the soundtrack of a short film is completely illusion. In short, once all the settings adjusted to my way, I get a sound quality and playability well above the Pianoteq, despite the recognized qualities of excellent NS2. And there is the great advantage of the latter, since everything is adjustable, the length of the string to the position of striking point and volume of hammers, as the resonance of the soundboard, much better on the plugin. Realism that I could find on Pianoteq, including through Damper settings and positioning of microphones. I still tried to get "closer" to the NS2 several levels being used on some concerts practicing Yamaha C3/C7 or Steinway Model D, with quite reactive dampers, I particularly like the ability to disable the long release of NS2, which I think brings a lot of realism and sound game (others say the same thing "with" !). However, taking the time to compare two equal volumes ( NS2 Steinway D Close Pianoteq against D4 Jazz AB without reverb), I finally looked for Pianoteq. It always takes time to adjust when going from a very clean Pianoteq sampled piano because the sound, the atmosphere can be confusing in this regard. Purchased from the first version via the group buy launch, I come back happily on Pianoteq 4.5, after a break of 18 months hardware via the Nord Stage 2 for live AND studio.
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